Hand Pulled: The Complete Shag Print Collection

I’ve been a fan of the artist Shag (Josh Agle) for a solid decade now, so I was excited to hear that the Grand Central Art Center in Santa Ana was hosting Hand Pulled: The Complete Shag Print Collection.

This retrospective features all the prints Shag has released from 1999-2011, including every serigraph, etching, giclée and off-set print—more than 250 in all.

So much Shag, as far as the eye could see! The bright colors really popped against the simple black frames and white walls.

For me it was a bit of a trip down memory lane as I got to see in person some of the images that first turned me on to Shag, like the Paul Frank partnership “Sylvie and Jules” which dates back to 2000.

The space off to the right housed Shag’s collaborations with Disney. In 2003, he was commissioned to do a series for The Enchanted Tiki Room‘s 40th anniversary and it proved so popular that he’s also produced designs for Disneyland’s 50th anniversary, Haunted Mansion’s 40th anniversary, the Disney Cruise Line and just recently, Disney World’s 40th anniversary.

Some highlights from the exhibit included this promotional poster for Madame Guignol’s Macabre Theatre on the left. So often there’s something sinister lurking in the tableau, but here it takes center stage (literally).

I also loved seeing the details in the Villain Suite, a series of four etchings from 2001. Here we have “Kitty Q” and her cohorts.

Special for this show’s opening, Shag and Harveys produced two styles of seatbelt bags that apparently sold out instantly.

Be sure to browse through the gift shop, because that’s where you’ll find this special piece. Besides being one of Shag’s earliest paintings (his 6th or 7th), “Ray’s Mistake” from 1996 pays tribute to Ray Buhen and his signature drink from the Tiki-Ti. Shag even touched up the originally gold frame to make it look more like bamboo. (You can even buy it if you have a spare sixteen grand.)

These are the last few weeks to catch the exhibit as it ends on August 14. Shag will be making an appearance and signing merchandise at the closing reception on Saturday, August 6 at 6 p.m. The gallery is located in a lovely courtyard in the Arts District, which has an Old Town feel and merits a visit on its own.

Tiki Bob Art Show at the Tonga Hut

Last Sunday, the Tonga Hut in North Hollywood hosted an art show that paid tribute to Tiki Bob, which is considered to be the first mass-produced tiki mug. It was the signature logo for Tiki Bob’s in San Francisco, which was infamous for boosting lunchtime business with lingerie fashion shows. (Photo by third-i-photo)

Kelly Reilly created three special cocktails for the occasion. Pictured is the Tiki Bob, which seemed to be quite popular, especially when people started noticing that it was finished off with a rum float…

Tiki Bob’s smiley visage inspired a slew of new ceramics, including OceaOtica‘s Zombie Bobs (upper left) and Ernie’s Blue Bob and Cutesy Bob (middle) and my personal favorite, Minimalist Bob (upper right).

Eric October made this diorama of the exterior of the restaurant, with a detachable mug serving as the Tiki Bob column that still stands at that location today. (It’s less than a mile away from the Tonga Room.)

I’d been impressed by MP‘s pirate-themed art at the Halloween Tonga Hut show, and he did it again with this “Suffering Bob” painted clay clasting in an awesome vintage frame.

This time the skull and crossbones — which is sort of a second cousin to tiki style, what with all the rum and tropical environs associated with it — was represented in this piece from Jake.

And Taboo Island was offering these vintage-style Tiki Bob signs. Most of the art sold very quickly, but there are still some pieces available for purchase in this Tiki Central thread.

Book of Tiki Art Exhibition at M Modern Gallery

Back in October, the M Modern gallery in Palm Springs hosted an exhibition of art inspired by Sven Kirsten’s “The Book of Tiki” to celebrate the 10th anniversary of the tome’s release.

If there were a textbook for Tiki 101, this would be it. It’s a serious (though still tongue-in-cheek) look at the history of the “tiki” phenomenon and how it permeated American culture in the 20th century. It’s now out of print, but Taschen also published a condensed version called “Tiki Style” that’s still available, though with fewer glorious vintage photos. Pictured is Moritz R.’s original artwork for the cover.

One of the most interesting parts of the exhibit was this diagram showing how images from the book made their way onto fabrics and Aloha shirts as the recent “tiki revival” grew in popularity.

It’s fitting that Shag (Josh Agle) would show a painting, considering it was his art that got many of us interested in tiki in the first place. We were some of the first folks to walk through, and we saw that the $6,500 piece had already been marked “sold” with a red dot.

It was basically a round-up of all my favorite tiki artists, including Heather Watts with one of her fabulous black velvet paintings.

This Witco-esque work from Bosko depicted the Royal Hawaiian Estates, a Polynesian-themed condominium community built in Palm Springs in the early 1960s. The buildings are still there and being restored. See more information about them here.

Hepcat artist extraordinaire Derek Yaniger‘s plywood piece drew inspiration from the very content castaway on page 75 of “The Book of Tiki.”

Dale Sizer‘s sparkly “The Heartbreak of Cricket Blake” paid tribute to “Hawaiian Eye,” a 1960s television show guest-starring Connie Stevens. It was about a Honolulu-based detective agency with a tiki as its logo.

There were many more amazing art pieces besides the ones pictured—these were just a few. I’ll leave with you with this other-worldly drawing from Doug Horne.