Check Out the New Logo for The Tiki Chick!

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As a Valentine’s Day gift, my dear Mr. Hockey surprised me with a logo for The Tiki Chick blog, which is something he’s talked about doing for years. Through Fiver.com he enlisted a cartoonist to create the final product, but he came up with a complete mock-up with as many tiki references as he could fit in, including a Moai, the Enchanted Tiki Room, and Rufus the carrot-eating fish from Bahooka (the “K” also matches the bamboo font from Bahooka’s sign).

(Sidenote: I’m just sickened by this whole situation with the new owners and Rufus’ uncertain fate…It’s still a developing story but you can get caught up here.)

Anyway, you can even spot Mr. Hockey and Charlie floating nearby on the Kon-Tiki raft. We have a bunch of business cards with the logo on the way so be sure to ask for one if you see us out and about at a tiki bar!

Shag: Pink Elephants Art Show

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My favorite tiki-influenced artist is Shag (aka Josh Agle), whose paintings often portray retro revelers indulging in various vices and swilling martinis. But it seems like life has been imitating art a bit too much lately, as Shag candidly shared in the press release for his most recent solo exhibition, Pink Elephants, at the Corey Helford Gallery in Culver City.

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He said: “I used alcohol as an aid to create art and as a means to escape the expanding responsibilities of a successful art career…Because I was a well-known artist well known for the glorification of cocktails, I drank for free in many bars and restaurants. Painting became something I did between binges…I stopped drinking the day I realized I hadn’t lifted a paint brush in a week…I’m not declaring I’ll never drink again — I cherish my rum too much…In the meantime, I can make paintings about drinking — paintings that embellish, rebuke, condemn and extol it.”

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The concept of seeing pink elephants has been associated with over-imbibing for at least a century. Jack London is credited with its first recorded use in 1913: “the man…who walks generously with wide-spread, tentative legs, falls frequently in the gutter, and who sees, in the extremity of his ecstasy, blue mice and pink elephants.” (You may be familiar with it from that trippy “Pink Elephants on Parade” dream sequence in “Dumbo.”)

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In addition to the original paintings, the show also included a sculptural piece called Phaedra that Shag designed and Mod Fab produced. One hundred are available and they come with a limited edition serigraph. The sculpture also makes an appearance in “Office Politics” (in the photo above this one).

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Not all of the paintings had pink elephants in them, but they all related to the theme of intoxication, like “Her Lucky Charms.”

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“The Four Martini Lunch” felt very “Mad Men” to me with its misbehaving businessmen. I swear the one on the left looks like Roger Sterling.

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My favorite from the show would probably be “Eight Shades of Drunk.” I can’t resist a good pun — or even a bad one, generally — and I dig the humor and, of course, the atomic-style lampshades.

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I also liked the nod to The Beatles in “Ladies and Gentlemen, The Pink Elephants.” (Though theoretically shouldn’t they have been Elefants with an F or another intentionally wrong spelling?)

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Naturally, I was keeping an eye out for something tiki, so I was pleased to discover “The Plastered Castaway” with its seemingly concerned Moai.

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There were even a dozen smaller paintings of partying pink elephants. Pink elephants have appeared in Shag’s art before, as mentioned on Shagwatch, but I think it’s safe to say that this is the first show in which they’ve been so prominently featured.

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The original paintings sold for thousands of dollars each, but per usual there were a few prints on offer for the more casual customer. “E is For Elephants” ($150, edition of 250) is a continuation of Shag’s A to Z art series. Shag also collaborated with letterpress designer Kevin Bradley on this interesting print “29 Drinks” ($100, edition of 150).

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In other Shag news, he just released a new print called “The Lost Book” that’s being sold on Shagmart. And for Palm Springs Modernism Week, Shag: The Store will host a print release party on Feb. 15 for “The 55th Cocktail Climb,” plus there’s yet another print, “Havana Cha Cha,” for the opening night Modern Mambo! event at Caliente Tropics on Feb. 13.

Related Posts:
Tiki Events at Palm Springs Modernism Week 2014
Shag: Animal Kingdom
Enchanted Tiki Room 50th Anniversary Merchandise by Shag

Thrilled by Three Dots and a Dash – Chicago

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Chicago’s suburbs have beloved tiki spots like Hala Kahiki, Chef Shangri-la and Tiki Terrace, but there hadn’t been much in the city since the new incarnation of Trader Vic’s closed in 2011. Yes, there’d been some tiki nights and menus at bars around town (The Terrace at Trump, Curio, The Whistler, etc.) but nowhere with a tropical setting to match.

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That changed in July 2013, when the much-anticipated Three Dots and a Dash opened in Chicago’s River North neighborhood. It’s a project from Paul McGee (formerly of The Whistler) and R.J. and Jerrod Melman of the Chicago restaurant group Lettuce Entertain You (Everest, L2O, Tru). (NOTE: As of December 2014, Paul McGee is no longer directly involved.) The bar’s name pays tribute to the drink Three Dots and a Dash. Don the Beachcomber, who also invented the Zombie (and tiki bars, for that matter), created it in honor of the end of World War II. (In Morse code, three dots and a dash means “V” — as in “Victory.”)

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The Clark Street address is sort of deceiving as the speakeasy-style entrance is actually down an alley off Hubbard, directly across the street from Paris Club (another LEY venture where you can valet, though apparently there are a few self-park garages nearby too.) Look for blue glowing lights and a couple heat lamps and you’ll find a blue door and above it a small sign for Three Dots and a Dash.

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You’ll enter a dark corridor and then go left down a set of stairs underneath an eerily lit wall of spooky skulls — sort of like you’ve stepped into an Indiana Jones movie. Keep going and you’ll find the host desk, which is one several relics purchased at auction after Trader Vic’s closed, and then the dining room is on the left.

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But before that is the semi-hidden entrance to the private room, decked out with leopard-print banquettes, lots of fake (but very realistic) pillar candles and a revealing black velvet painting on the wall.

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Blue and green fish float lanterns give a mysterious glow to the main space. Big round leather booths line the walls while four-top tables fill the center of the room. The showpiece is the gorgeous thatched roof bar with about a dozen barstools where you can admire the extensive rum collection.

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Some tiki bars cultivate clutter, but this one keeps things more minimalistic in some spots like this corner with just a few spotlit ukuleles and tikis above the sleek banquettes. (The tikis that McGee snapped up in the auction date back to the 1950s and the original Chicago Trader Vic’s at the Palmer House hotel.)

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According to Serious Eats, the Melman brothers visited some of “London’s famed tiki bars” before starting this venture. Clearly, Mahiki must have made an impression — though thankfully there’s no dress code or velvet rope attitude here. Three Dots and a Dash even serves their own version of the Treasure Chest, also topped with a bottle of Champagne and presented in a wooden chest made by Cheeky Tiki. (Reminds me of how both the Mai-Kai in Florida and Kahiki in Ohio had the ritual of the Mystery Drink presented by a lovely Mystery Girl, which the Mai-Kai still performs to this day.)

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Three Dots and a Dash has a capacity of 240 but it’s still a new place — and a fun novelty for Chicagoans suffering through the winter — so you’ll likely find a line on popular nights. If you arrive quite early like we did you shouldn’t have any issues and you might even get to hear some exotica music — much preferable to the DJ that goes on later when it becomes more of a nightclub scene. Reservations are now accepted online.

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The menu is beautifully illustrated in a vintage style with pictures of the drinks alongside their descriptions. Half are “classics” (Mai Tai, Jet Pilot, Three Dots and a Dash) while the other eight are “modern” concoctions from McGee. Each of these is priced at $13. Then there’s a section for shareable options like the Zombie Punch ($65 serves 3-4) and aforementioned Treasure Chest No. 1 ($385 serves 6-8). On top of all this there’s also a separate tome listing more than 200 rums for tasting, plus 16 classic rum cocktails (daiquiri, Navy Grog, Hurricane, etc.).

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My favorite — and Chicago magazine’s, too – was the Painkiller No. 3, a creamy, dreamy combination of Bajan rum, Jamaican rum, coconut liqueur, passionfruit and pineapple. Named after a lyric from “South Pacific,” A Lonely Island Lost in the Middle of a Foggy Sea is a riff on the Mr. Bali Hai featuring aged rhum agricole, blackstrap rum, Indian rum, cold brew coffee, pineapple and lime. It’s labeled with a skull warning of its “impressive strength” and it’s no joke. Our designated driver asked for a recommendation on a drink to get sans alcohol and our server suggested the Poipu Beach Boogie Board. This sweet and tart tipple of guava, maraschino, grenadine, pineapple and lemon is usually given a kick with rye whiskey and overproof rum.

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I’m not a fan of bananas, but I still insisted we get Bunny’s Banana Daiquiri for the garnish, a half banana turned into a dolphin. Don’t expect too much sweetness when you sip this blend of fresh banana, coconut liqueur, lime, Jamaican rum, spiced rum and overproof rum. Of course we also had to order the namesake drink, here made with aged rhum agricole, Guyanese rum, honey, falernum, lime, allspice and Angostura bitters. It was a well-balanced winner, presented with three Luxardo cherries and a pineapple spear. (Three dots and a dash, get it?)

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Foodwise, there’s a small menu of about 10 small plates and we sampled almost all of them, starting with the “luau chips” ($9). The pineapple-flecked guacamole came with puffed rice crackers, though I probably would have preferred tortilla chips.

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The Thai fried chicken ($11), which is highlighted on the menu as a signature dish, was a hit with us and disappeared the fastest. The boneless nuggets were lightly breaded and doused in an amazing garlic-chili sauce. Crag Rangoon ($11) is usually heavy on the cream cheese, but the filling in this rendition was actually loaded with blue crab. It came with a tray of four dipping sauces: Thai chili, peanut (so good!), sweet and sour (also tasty) and hot mustard (not too spicy). The award for best pupu presentation would go to the coconut shrimp ($13), which are served in half a coconut perched on top of panko breadcrumb “sand.”

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The meat on the Polynesian spare ribs ($16) didn’t fall off the bone but the pineapple glaze was tasty enough. Also decent were the Hanali spring rolls ($12) and curry chicken skewers ($13) though with such steep prices for small portions I think next time we’ll pass on all three of these and stick with the Thai fried chicken and crab Rangoon.

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(Photo by Three Dots and a Dash)

I love when tiki bars come out with souvenir mugs custom made for them, and Three Dots and a Dash already has three designs produced by Tiki Farm. First was the blue sea urchin mug, definitely one of the most beautiful mugs I’ve ever seen, then came this golden bamboo mug and a likeness of McGee with seashell spectacles ($20 each). They also serve and sell several other styles of Tiki Farm mugs, including a few imprinted with the bar’s logo.

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Three Dots and a Dash takes the state of tiki in Chicago to a new level with its serious mixology, good food, signature mugs and swizzle sticks, and impeccable decor that provides the perfect setting for a bit of tropical escapism. It should come as no surprise that I’ve added Three Dots and a Dash to my list of the Top Tiki Bars in America.

Three Dots and a Dash
435 N. Clark St.
Chicago, IL 60654
312-610-4220

Related Posts:
Reviews of Tiki Bars in Chicago

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